Cytat na dziś

Henry Geldzahler o definicji ‘dobrego zdjęcia’:

The first is memorability; if you remember a work, if its forms cohere in your memory, or better still, if the works calls itself to mind like a melody in an opera, and you feel
you must return to view it again, it might well be good.

Second, if there is a narrative, an unfolding in your relation to the work; if, on subsequent viewings, it reveals more, suggests more, it is a work that you will continue to live
with, whether or not ownership is a practical possibility.